Hats Off To Encore Entertainers For Training Kids How to Act For Musicals And -- For Life
By Diana L. Chapman
Tiny, and a whirlwind of an 8-year-old, Jack
Ghekiere stepped out of the crystal blue waves in his prince role, bold,
confident and remembering every single line he had learned for The Little
Mermaid.
Jack and the other 32 kids in the summer
production ages 4 to 13 only had two weeks to learn their lines before the
performance would happen before their parents, well-wishers and the general public
at the Warner Grand Theatre in San Pedro.
"It was so fun and I'd rather be doing
Encore than school," said the peppy boy with bouncy, Shirley Temple curls
after the performance.
That was likely the case for the scores of
youths who had a chance to act, sing and dance in the musical even though they
are much younger than many of their counterparts who had lead roles in the
group's double-the-size productions like Oliver which had 83 students.
The smaller performance is to help some of
the younger youth to strut their stuff, some of whom might not have had a shot for the leads in
larger productions.
"I was scared," said Gracie Monaghan, an 8-year-old, who
played Scuttle, the seagull in Little Mermaid. "When we did Oliver, it was
my first time ever speaking on stage. Then, the Little Mermaid was scary and it
was my second time and I had a really big part. It was fun and scary at the
same time. I liked acting like Scuttle because he was so stupid."
The amazing shows -- I've seen two of them already and am looking
forward to seeing Peter Pan midwinter in San Pedro and possibly Seussical in
Redondo Beach-- were the brainchild of Marcelo and Summer Cacciagioni mostly
propelled by Summer's mentor and
Summer's abilities to get youth to act on stage no matter their age, their
fears, their shyness or just about anything else that would terrify someone to
perform.
"I love shy kids. They are my specialty,"
said Summer during a phone interview who has two children, Alora, 4, and
11-month-old Lilly Rose and lives in Torrance. "Bring me a super shy kid
and I get so excited. Every kid is different and every approach has to
be," who adds that her sometimes massive shows teach children a lot about
life. Children who go through her programs, she said, learn about commitment,
responsibilities, team work and respect. Most of all, it gives them a big boost
in self confidence.
Parents
are also encouraged to take on larger roles in the productions.
The programs accommodate children ages 4 and
up and does provide scholarships for some students. Last year, Encore raised
$30,000 to help families who otherwise couldn't afford to enroll their children.
This year, the Gala will be held at 5 p.m. Nov. 10 at the Torrance Marriott with
casino games, live music, a silent auction and a banquet dinner. Tickets are
$65 per person if purchased before Oct. 19.
The non-profit organization's beginnings were sparked in 2007 when Summer's mentor, Alex H. Urban, who
ran youth drama productions, died and "it really opened my
eyes."Summer was so impressed with Urban
that when she wrote a high school paper on him she penned: "One day, I want to grow up and
produce, direct, and run my own Youth Theatre Company!"
She did teach youth for a variety of studios across the South Bay, but
after Urban's death, both her husband and friends encouraged her that it was
time for her to open her own non-profit theatre company, calling it Encore which
stands for Educating the Next Class of Rising Entertainers.
Terrified about whether it would
work, Summer said she needed a minimum
of at least 25 kids to start, she prayed
hard for 45.
Instead, she got 67 and is "blown away" by the successful
productions that entice kids and their
parents to join up. Since its opening, Encore has taught more than 1,000 students
through productions, outreaches, camps and classes. By the end of the year, the
non-profit will have conducted over 40 musical productions. Encore has
two branches for its operations, one in San Pedro and the other in Redondo
Beach.
The actress says her company is part of the village needed to raise a
child which can take "an army."
Her youngest student was a 3-month-old
baby and her oldest, an 81-year-old woman. Her gift, she says, is what
presses so many youngsters up on the stage despite all their fears.
"I'm not just about the quality; I'm about the process," she
explains.
And it can become a family affair.
Jack's sister, Helena, played
Sebastian in the Little Mermaid, a large part for a 10-year-old, especially
having to have a Jamaican accent. She had other large roles before, but this was her biggest.
"It was my first time being in just about every scene," Helena said. "I thought it would be hard, but it's always easy to learn my
lines. It was so much fun, but I was exhausted afterward."
Their mother, Shana, explains that the entire family has been happily immersed
into the productions, meeting lifelong friends especially when parents are
"encouraged" to share talents making costumes, and organizing the
students. Her husband, Mike, played the shyster, Fagin, in Oliver where his
children had smaller parts.
"I find Encore to be incredibly supportive environment for all
involved," Shana emailed me. The
children are met "where they are" and helped to grow, not only as
performers, but as people. They are encouraged to try (and "failure"
is seen as a natural part of the process!).
"I honestly hear, "Encore is the best thing EVER! at least 25
times a week from my daughter. My son
also loves it. The teamwork that the parents do to make a show is amazing. It
is truly a community at Encore."
Eight-year-old Athena Seiple agrees with that assessment.
In Little Mermaid, "I was a chef. I was a fish. I was a seagull. It
made me feel like I was on Broadway. I made new friends and I liked everybody
in the camp. It made me feel really good about myself. It made me feel like I
was an adult."
For more about Encore Entertainers, call (310) 896-6459 or email:
info@encoreentertainers.org. Visit http://www.encoreentertainers.com
to buy tickets for upcoming musicals and for class prices.